On the 13th we were honoured to lead the parade to the Abbey Church, and then to the memorial where Eddie again played the lament.
The weather was kind, the warmest parade I can remember, and everyone played well.
On the 13th we were honoured to lead the parade to the Abbey Church, and then to the memorial where Eddie again played the lament.
The weather was kind, the warmest parade I can remember, and everyone played well.
It's been a while since we posted. It has been a great summer season. A big thank you has to go to all the kids, for most of whom this has bean the first season playing galas and performances. Such confidence and commitment is really impressive.Well done to all.
And we are now looking forward to starting the work towards next season 😊
Our first Gala of the season today at Aberlady and what a great turn out from the Band. Well done to everyone who took part.
Chatting to a couple of the players I suddenly realised that although they had supposedly been playing with the Band for a while, due to Covid, this was actually the first Gala they had played at. Well done to you all and hopefully you will enjoy all the others just as much.
Well done to Lyle and Eddie playing at the Beacon Ceremony at the harbour as part of the Queen's Platinum Jubilee Celebrations
I have just read a couple of articles on how 3:4 Retreats should be played. They suggest that the prominent accent is actually on the 2nd beat of each bar and in a way I can see where they are coming from. If you relate this back to the drumming then note that the middle unison is most often played from the roll leading in to the 2nd beat of bar 2 for the middle phrase. When you look at how the Bass cut off (the double taps) are played the correct placing is on the 2nd beat of bars 5 and 6.
How does this affect the playing. Well if played correctly the 1st beat should really be a lead in (anacrusis) played on the 1st Right foot after the introductory rolls. This means that the 2nd beat is actually on the Left foot. When this comes to the drumming it doesn't actually change what you are playing, it just changes what foot the beats fall on.
Will we change? This is unlikely in the near future as it would require every band to agree with this. Can you imagine the confusion in a massed band.
In the meantime we will continue as precedent has now set the format, but out of interest I have scored the snare drum for Balmoral in our medley to illustrate this (correct?) way of playing the 3:4's.